A much more exciting sneak peek than the last one. I have a few more sets of Cala Lily Candle holders in here. Also have some new fall bowls on the top - you can't see it, but the sides all have maple leaves.

I've been wanting to play with the Mayco Magic Metallics for a while. There are several of them, but the copper one in particular called to me. When I was at the workshop last month with Michael Harbridge I bought the copper and the copper patina. I made a few mistakes that I would change next time, but I'm supper happy with the results.



Above is the finished elephant ear and below is what it looked like after the glaze firing. I knew I was going to use this technique on it and so I just left it unglazed.




I also had this bee plate which just didn't turn out well at all. Michael had mentioned you can use this on a badly glazed piece. The only difference is that it takes longer for things to dry. You can use this technique on bisque or glaze fired pieces, but of course glaze fired pieces are going to be stronger over time since they're vitrified.




I wiped both pieces down and then added 3 coats of the copper on the back with a fan brush. I started on the back since it will be less likely that it will be seen if I messed up. I also determined that I didn't need 3 coats.




For the front I only did 2 coats after the learning I had on the back.




With only 2 coats on I could still see the veining of the elephant ear which I really wanted.




Once that was mostly dry I added in the patina. You can see the patina start to work immediately, but it will develop over time.




The patina pooled in the middle and I read after the fact that I should have wiped that with a sponge - lesson number 1 for next time.




It was really cool to watch the patina develop.




I let these dry overnight, but lesson #2 is to put the sealer on sooner as the patina will keep going until you seal it. I used Mayco's gloss sealer. Depending on the look you're going for, you could also use the matte.




Looking at the finished bee you can see where lesson #2 really came into play. I let the patina go so long it ate through and you can start to see the yellow glaze. In this instance it works, but I could also have added more copper and patina to fix if I wanted.




I'm really happy with both of these and now just need to find a spot in my garden for them

This is a really boring sneak peak because the giant elephant ear is unglazed (more on this to come). There is the remaining crabs in here plus a large planter and what was a planter, but because I broke it putting it into the bisque kiln became a hanging wall shelf.

I made all of these (and the other squiggle things) in my Learn Fired Arts molds. It makes it so much easier to have a puzzling mold than trying to create my own. I did get a little squiggle happy in the last week, but also made some pumpkins that will get a special texture treatment.

Reminder I will be at the Belle Aire Market tomorrow Sunday June 11th. Come out and see me. I also just added another festival in July in Taneytown on July 22nd. My hands are really tired from extruding, but I love how this stuff came out.

This is a ghost, but a friend pointed out that it looks like the Harry Pottery Sorting Hat. It does, but totally unintentional.


These will be little candy corn luminaries.




Christmast Tree!